By Karminder Singh Dhillon PhD (Boston)
We have been told that Deh Shiva Bar Mohey is the “National Anthem” of the Sikhs. And that it is meant to be sung during the salami for our Nishan Sahib.
Is this the truth or have we been taken for a ride?
This article attempts to answer this question by exploring the origins of the composition and revealing the true meanings of Deh Shiva.
Continue reading “The Truth of Deh Shiva”
||Karminder Singh Dhillon,
PhD (Boston), Kuala Lumpur.
In Part One of the series aimed at examining the God of Dasam Granth (DG); the following facts were established from within the compositions of DG:
1. The primary God of the Dasam Granth (DG) is Mahakaal and the secondary God is Durga.
2. The writers of a vast majority of DG are poets named Raam, Syam and Nul. Poet Syam’s name as the writer appears across 151 pages of DG while Ram’s appears across 14 pages. Their names also appear jointly across 15 pages of DG suggesting that they worked together. Poet Nul is the writer of one composition. Readers would note that the word “Nanak” as writer does NOT appear even ONCE in the entire DG.
3. The obeisance of these three writers to Mahakal and Durga (the male and female forms of Shivji) suggests that they are adherents of the Vaam Margee SECT of Shivji.
4. Large portions of the core rachnas o DG are lifted from the Markandey Puran and Shiv Puran. Both Purans are written in obeisance of Shivji. Markandey, a devotee of Mahakaal, Durga and Shivji – is highly revered amongst devotees of the Vaam Maragee SECT. The writers of DG have acknowledged such lifting, even mentioning the chapters that are lifted, at the end their rachnas.
5 . These purans – acting as the primary sources of DG – thus provide the LINK and CONTINUITY between the God of these purans (Shivji) and that of DG being the one and same. Shivji is the God of the two purans, and Mahakaal and Durga (two halves of Shivji) are the Gods of DG.
It is worth reiterating that the method of deriving the above mentioned facts relied on using the DG as a primary source. Such a choice of method is not dismissive of secondary sources. It is to allow the reader direct access to the verses within DG where the ideas of these series of essays are coming from.
Continue reading “The God of Dasam Granth – Part 2”